folk music – Krisztina Dér Noble, Flutist

I am so excited to announce the release of Shaker Songs, Winterbirds’ debut album!

A little back story. Last year, I was fortunate to collaborate with composer Nick Rich in my commission, performance, and recording of his flute/light composition “This is a picture of…” (Read about that collaboration in a former blog post.) Shortly after our world premiere performance, Nick asked me to join his progressive folk band, Winterbirds. Our conversation went something like this:

Me: Have you ever heard of a bluegrass flutist, before? Maybe there’s a reason for that?
Nick: Nope. You’ll be the first!

Folk music has always had a special place in my heart. There’s something about it that feels like home, in all its rich simplicity. Mix that with the opportunity to work with an incredible lineup of musicians: I was sold. Bluegrass-flute precursor (or lack thereof) be hanged, I couldn’t say no. And since joining last summer, I’ve been blown away by the musicianship and creativity of my Winterbirds colleagues.

Take a moment to listen to Shaker Songs (I play on tracks 6-8)! I hope you’ll find it as refreshing as I have. If you like what you hear, follow our Facebook page for upcoming performances and news.

With the Kodaly statue in Pecs, Hungary, during my studies at the Liszt Academy of Music in Budapest.

Fifty years after his death, the name “Zoltán Kodály” has spread worldwide, conjuring up thoughts of music pedagogy and solfege. Many don’t realize that he was also a linguist, a philosopher, an ethnomusicologist—and a brilliant composer. One of the first CDs I ever owned included a piece that is still very dear to me: Kodály’s Dances from Marosszék (Marosszéki Táncok). Even then, I was captivated by the deeply lyrical quality of Kodály’s music, his colorful orchestrations, and the magical way his music evokes both longing and hope.

Back in 2010, I received a grant to arrange music for a small chamber ensemble with unconventional instrumentation. Hoping to familiarize more Westerners with Kodály’s music, I chose to arrange a movement from his Háry János Suite: “Song” (or, “Dal,” in Hungarian). Originally from Kodály’s Háry János, a singspiel about the tall-tales of a hussar, the lyrics of “Song” express Háry János’ tender longing to be home with those he loves.

The recording below features Asher Carlson (clarinet), Leonardo Ottoni do Rosario (violin), Emily Damrel (double bass), and Rachel AuBuchon (prepared piano). It was recorded on April 30, 2016, and edited by Dr. Michael S. Rothkopf, with additional help from Ben Singer.